Preface (translated with google )

We missed so correctly Kaya Yanar. Was nevertheless „which look you “in the TV a correct ritual for us. It gastierte with its new stage program „larva in Germany " directly before our entry door; thus nix like. The meeting should take place in the work of art Moenchengladbach/Wickrath, which also did it. My joy had been as said already enormous in the apron. Had expected I me however much in former times an uncomplicated contact, which I tried weeks to before take up. Yes, perhaps I was somewhat too naive, may be, because who am I already that one gets an answer, if I filled out and only friendly something to ask wanted a form for contact on the official homepage completely. Anyhow nothing at all did not come, must in addition, fair-proves grants that it is with other artists and “non-artists “exactly the same. The conception of technical kind drew nevertheless here and there a tired to annoyed smile from me. Prohibitions and regulations where one sees or evenly does not see.

No photos please!

Aha. Well. But please… why one does not say also briefly before the conception thereby? It was said also about loudspeakers that one its mobile phone to switch off has ect. And those, which did it nevertheless then? Those were reminded or even the Cam was removed. Hmm. since I knew that after I with the Security had inquired, why flash it then continuously? Aha. probably a press human being. that may do that and it disturbs none. But, it disturbed me! Okay. I felt verarscht. Well I still thought before the conception. You try to make the manager for stop and inquire you simply times. That I did then also and inquired. Short answer: No chance a photo to get (who am I already?)! Thus, sorry that I cannot offer you anything such a thing. But nobody can state that I did not really try it. Can offer thus only a few ridiculous pictures, which I made then outside or outside of the presentation.

The artist does not ask to smoke during the conception. I can understand! Only that those, which must smoking „“, in the Vorraum that do or even further outside. One cannot introduce oneself like air is, if one comes again purely then.

Seats

Admission fee: 25 euro and I sit from 20-23 o'clock on a kind camping folding UHL. I set myself outside, so that I do not have me at least by the close rows crimpings.

Kaya Yanar in Action

Now however to Kaya! Nearly everyone knows it. So I had to abschminken myself it that it would run off so similarly „comfortably “and with a certain proximity to the artist as in a small art conception. Kaya is evenly Kaya. The German Turk, it drauf has to make and simply as desired improvise something from each situation. It vibrates individual figures from the sleeve, which one recognizes alone from the voice. Like there would be natural Ranjid, Francesco and Hakan with its “Döner-german”. Also without mask it slips easy into the different roles. Kaya Yanar, even „Made in Germany “, remains faithful for its multi-cult in ash, uses fully the plates over homeland associations and amuses themselves with its so typical Mimik and gesturing over mentalities and cultures. It seizes itself, like, frequently always on its äh, „back“. The public `S. pleases. Since Kaya made now „the fat coal “, he can carry itself in, from mummy sewn out, scenery and has now also no more television appearances necessarily. The central questions of the show read: What typical is German? From where do the Germans come? It carries us back 2000 years, to the time of the Teutons, who were barbarians and were civilized by „the Romans (the USA of the antique ones) “. We are cleared up over the effect of the language and now are really Kaya in its element: the Dutchman does not have chances with women, because its dialect sounds extremely „nice not erotisch but “. The Croats banished and should all vowels from their language with the Turks with „ü `s “avail itself. Kayas Turkish, one „language with ü `s “, sounds itself for the layman even genuinly, although he cannot do it according to his own data. But Kaya apologizes gladly with „the compatriots “. And the first meeting of a Turk with a Saxonia after the turn amuses the public delicious (Güten toaach! Ehh. isch was first here!). To high form it accumulates, if it plays anecdotes from its childhood and youth e.g. quarrels with its Greek friend in the school bus. In the end it lands again with the Urtyp of the Teuton, who becomes during driving a car again the barbarian. The two hours, in which it cleared the public up amusingly over mankind, were quite fast past. It was spontaneous, referred the spectators also, convinced with his improvisation talent and could so many a time at itself laugh. Here and there it fell us however heavily its thought jumps to follow. Kayar Yanars addition, a view on the future, in which the peoples mix themselves, saves a quantity of ideas for new stage programs. That makes curious! Unterm line can be said that it was a nice amusing evening. Unfortunately no more and not less.

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